had their eyes been stricken blind

Love’s Stratagems
Donald Justice

All these maneuverings to avoid
The touching of hands,
These shifts to keep the eyes employed
On objects more or less neutral
(As honor, for time being, commands)
Will hardly prevent their downfall.

Stronger medicines are needed.
Already they find
None of their strategems have succeeded,
Nor would have, no,
Not had their eyes been stricken blind,
Hands cut off at the elbow.

*That’s a link to work of mine from several years ago in Sein und Werden, check them out at kissthewitch.co.uk.

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the air moves in

Keeping Things Whole
Mark Strand 1964

In a field
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.

When I walk
I part the air
and always
the air moves in
to fill the spaces
where my body’s been.

We all have reasons
for moving.
I move
to keep things whole.

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happy solstice

Things to Think by Robert Bly

Think in ways you’ve never thought before.
If the phone rings, think of it as carrying a message
Larger than anything you’ve ever heard,
Vaster than a hundred lines of Yeats.

Think that someone may bring a bear to your door,
Maybe wounded and deranged; or think that a moose
Has risen out of the lake, and he’s carrying on his antlers
A child of your own whom you’ve never seen.

When someone knocks on the door,
Think that he’s about
To give you something large: tell you you’re forgiven,
Or that it’s not necessary to work all the time,
Or that it’s been decided that if you lie down no one will die.

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the great camouflage

“Far from contradicting, diluting, or diverting our revolutionary attitude toward life, surrealism strengthens it. It nourishes an impatient strength within us, endlessly reinforcing the massive army of refusals.”
Suzanne Césaire, whose poetry mocked “Littérature de hamac. Littérature de sucre et de vanille. Tourisme littéeraire.” Her writings of dissent were banned in the forties.

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a forest of torches

Caedmon
by Denise Levertov

All others talked as if
talk were a dance.
Clodhopper I, with clumsy feet
would break the gliding ring.
Early I learned to
hunch myself
close by the door:
then when the talk began
I’d wipe my
mouth and wend
unnoticed back to the barn
to be with the warm beasts,
dumb among body sounds
of the simple ones.
I’d see by a twist
of lit rush the motes
of gold moving
from shadow to shadow
slow in the wake
of deep untroubled sighs.
The cows
munched or stirred or were still. I
was at home and lonely,
both in good measure. Until
the sudden angel affrighted me—light effacing
my feeble beam,
a forest of torches, feathers of flame, sparks upflying:
but the cows as before
were calm, and nothing was burning,
nothing but I, as that hand of fire
touched my lips and scorched my tongue
and pulled my voice
into the ring of the dance.

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her rabbit cloak and fastly hopped

Witch of the Pines

Witch of the Pines put on her rabbit cloak
and fastly hopped down a near fingerboard.
A man with blue hands there was waiting for
her Bill to either put him in an oak
or see him render up her gold-filled poke.
He fared as well as those who’d tried before.
She darted from the braken and restored
herself with just a pinch of blue-white smoke.
He knowed her and looked set in sugar sand
until she pled, “You take my cloak instead.”
Now feeling pretty middling smart, he said,
“I will.” He put it on and was unmanned.
That’s when Bill shewed. He shot the rabbit true
and gave it to her proudly for a stew.

Stephen S. Power

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gorgeous diacritics, soft clocks and stone clouds

in julio cortazar’s interview with lucille kerr etc., he mentions hearing things with ‘that inner ear that is at work in writing,’ and he states:

Lorca (I am quoting from memory) defined
himself as “a wounded pulse that stalks things from
the other side.” That other side of things, those soft
clocks in the time of man, those stone clouds of
Magritte, those nude girls in the railroad stations
of Paul Delvaux-and the Snark, don’t forget the
Snark that turned out in the end to be a Boojum:
there you have a synthesis of the attitude that leads
me to write within a perspective of total fracturing
of what is conventional, what is fixed, always looking
for certain doors and, above all, certain exits. p. 39 Diacritics

i tried searching this info and landed on my own post ‘the inner ear and the stalking of certain exits.’ solipsistic as fuck.

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and i intend to end up there

Who Says Words With My Mouth?

All day I think about it, then at night I say it.
Where did I come from, and what am I supposed to be doing?
I have no idea.
My soul is from elsewhere, I’m sure of that,
and I intend to end up there.

This drunkenness began in some other tavern.
When I get back around to that place,
I’ll be completely sober. Meanwhile,
I’m like a bird from another continent, sitting in this aviary.
The day is coming when I fly off,
but who is it now in my ear who hears my voice?
Who says words with my mouth?

Who looks out with my eyes? What is the soul?
I cannot stop asking.
If I could taste one sip of an answer,
I could break out of this prison for drunks.
I didn’t come here of my own accord, and I can’t leave that way.
Whoever brought me here will have to take me home.

This poetry, I never know what I’m going to say.
I don’t plan it.
When I’m outside the saying of it,
I get very quiet and rarely speak at all.

Rumi

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in life as in a strange garment

For the Anniversary of My Death
By W. S. Merwin

Every year without knowing it I have passed the day
When the last fires will wave to me
And the silence will set out
Tireless traveler
Like the beam of a lightless star

Then I will no longer
Find myself in life as in a strange garment
Surprised at the earth
And the love of one woman
And the shamelessness of men
As today writing after three days of rain
Hearing the wren sing and the falling cease
And bowing not knowing to what.

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there is a field

Out beyond ideas of wrongdoing and rightdoing,
there is a field. I’ll meet you there.

When the soul lies down in that grass,
the world is too full to talk about.
Ideas, language, even the phrase each other
doesn’t make any sense.

Rumi

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